Idyll och eglog
•
Idyll
Short poem
"Idyl" redirects here. For other uses, see Idyl (disambiguation).
An idyll (, ; from Greek εἰδύλλιον (eidullion)&#;'short poem'; occasionally spelled idyl in American English)[1][2][3] is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the Idylls (Εἰδύλλια).
Unlike Homer, Theocritus did not engage in heroes and warfare. His idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson (Idylls of the King), and Nietzsche's Idylls from Messina. Goethe called his poem Hermann and Dorothea—which Schiller considered the very climax in Goethe's production—an idyll.[4]
Terminology
[edit]The term is used in music to refer generally to a work evocative of pastoral or rural life such as Edward MacDowell's Forest Idylls, and more specifically to a kind of French courtly entertainment (divertissement) of the baroque era where a pastoral poem was set to music, accompanie
•
Idyll
- För en skulptur i brons av Christian Eriksson från , se Idyll (skulptur).
Idyll (grekiska: eidy’llion, liten bild) är en typ av dikt skapad av sicilianen Theokritos, som var verksam under första hälften av talet De sicilianska herdarnas växelsånger var förebilder för enkla dikter, med dramatisk läggning om scener i herdars och lantmäns samt andra lägre samhällsmedlemmars enkla naturliv. Herdelivet framstår hos honom som i det hela ett idealiskt lugnt och lyckligt naturtillstånd.
Efterföljarna Bion och Moschos tog en ton skild från mästarens naturtrohet och gav uttryck åt veka känslor och strävade efter prydlighet i formen. Hos romarna var Vergilius en författare av herdedikter (ekloger) efter Theokritos’ mönster, men de var anpassade till tidens smak och åskådningssätt samt till viss grad allegoriserande.
Adam de la Halle skriver om idyllen i "Le jeu de Robin et Marion", men det är först under renässansen som diktformen fullt återupplivas, dels i form av lärd och allegorisk eklog i Vergilius’ stil av Francesco Petrarca. Nya stilar som herderomaner av bland annat Giovanni Boccaccio och Jacopo Sannazaro och herdedrama av bland annat Torquato Tasso (
•
Eclogues
Poem collection bygd Virgil
This article is about a major work of Virgil. For the genre of poetry known as "bucolics" or "eclogues", see Eclogue. For the poems by poet, see Eclogues (Dante).
The Eclogues (; Latin: Eclogae[ˈɛklɔɡae̯], lit.&#;'selections'), also called the Bucolics, is the first of the three major works of the Latin poetVirgil.[1]
Background
[edit]Taking as his generic model the Greek bucolic poetry of Theocritus, Virgil created a långnovell version partly by offering a dramatic and mythic interpretation of revolutionary change at Rome in the turbulent period between roughly 44 and 38 BC. Virgil introduced political clamor largely absent from Theocritus' poems, called idylls ('little scenes' or 'vignettes'), even though erotic turbulence disturbs the "idyllic" landscapes of Theocritus.
Virgil's book contains ten pieces, each called not an idyll but an pastoralsång, from the Greek ἐκλογή ('selection', 'extract').[2] The poems are populated by and large with herdsmen imagined conversing and performing amoebaean singing in rural settings, whether suffering or embracing revolutionary change or happy or unhappy love. Pe